Showing posts with label wyatt thomas. Show all posts
Showing posts with label wyatt thomas. Show all posts

Wednesday, September 26, 2018

River Road - an excerpt

  New Orleans is perhaps the only place on earth where a deceased person can attend his or her own wake as the guest of honor. In River Road, sleuth Wyatt Thomas attends one such wake at the Saenger Theater on Canal Street. My first memory of the theater was when I was ten. My brother and I were visiting our Aunt Carmol for a week or so. She dropped Jack and me off there to see David Niven in Around the World in 80 Days. The theater, newly renovated after Hurricane Katrina, is a showplace destination and I remember comparing it in my mind to the tiny Wakea Theater in the little town of Vivian, Louisiana where I grew up. To my ten-year-old brain, the Saenger was like a palace.
In River Road, Wyatt attends an eclectic wake, even by New Orleans' standards, at the behest of a new client. The secretive little man gives Wyatt a single clue and a bag of cash. The man is murdered as Wyatt watches. Before the night ends, he must go on the run to save his own life and to comply with his client's last wish.
River Road takes the reader to places a tourist in New Orleans will likely never see. The story is based on historical accounts of an actual murder that remains unsolved. Much of the book is a fictional recounting of what actually happened in New Orleans shortly after the assassination of President John F. Kennedy. Though I don't profess to have all the answers to the many questions about that particular time in the history of New Orleans, I did draw a conclusion about who actually killed the president. In a later chapter in the book, one of the characters on her deathbed explains who killed JFK and why they did it.
I hope this short excerpt compels you to read River Road. If you do, I hope you love it and all the books in my French Quarter Mystery SeriesSome of the mental images in the book may haunt you for awhile. The monkey lab actually existed and the thought of the empty cages remains indelibly fixed in my own memory. The story isn't all dour. There's also lots of mystery, adventure, and fun. Just don't forget to wear your gris gris.

Chapter 1

It was one of those days, rain falling in a gentle mist as I glanced down Canal Street. When thunder shook the windowpanes, I stopped gawking and hurried up the sidewalk.
Late afternoon streets were empty as I reached the Saenger Theater. The old auditorium had occupied the corner of Canal and N. Rampart for as long as I could remember. My parents liked their liquor. They could buy cocktails at the balcony bar and get drunk as they watched the latest Hollywood flick. They loved the Saenger.
Flooded and damaged during Katrina, the theater had recently undergone renovation. With work finally completed, the facility is a destination for music and touring acts. The marvelous new sign over the front entrance greeted me, flashing crimson neon as I entered the lobby.
I wasn’t the only one that had braved summer rain, dozens of other people filing into the main amphitheater with me. Music from an old pipe organ flooded the auditorium as I entered the ongoing festivities. The occasion was a wake, the atmosphere anything but somber. As I gazed at the crowd, I spotted someone I knew.
Rafael Romanov smiled and worked his way toward me. The tall man with thinning hair seemed as dark and mysterious as his hooked nose and Eastern European face. He’d grown a tiny goatee on his pointed chin since the last time I’d seen him.
“Wyatt,” he said, grasping my hand. “You’re looking dapper.”
“Don’t hold a candle to you, Rafael,” I said.
He brushed an imaginary flake off his cashmere sports coat. His expensive jacket complimented the military crease of his dark pants and the gleam of his spit-polished shoes. His light blue silk shirt splayed open enough to draw attention to a hairy chest and the heavy gold chain around his neck.
“I didn’t know you knew Jeribeth,” he said.
Jeribeth Briggs was a recently deceased New Orleans socialite. Unlike most wakes, Jeribeth wasn’t in a coffin. Her corpse, dressed to the nines in a red designer dress and audacious hat, sat on a wrought-iron bench. Her signature feather boa draped her shoulders. As in life, she had a cigarette with a long filter in one hand, a glass of Jack Daniels in the other. Garlands of flowers and lush potted shrubs surrounded her almost as if she were enjoying cocktails in her garden.
“Didn’t know her,” I said.
“Just gawking?”
“I have reasons for being here.”
“Such as?”
“A new client. He requested I meet him at the wake.”
“Strange place to meet a client,” he said.
“His call, not mine. Did you know her?”
“You mean Jeribeth? Saw her many times at Madeline’s when I was a child. Like you, someone is paying me to be here.”
“Oh?”
“My usual gig. Comforting family and friends of the bereaved. From the quantity of alcohol everyone is consuming, I’d say my services will go unneeded.”
Rafael was a defrocked priest; defrocked because his mother Madeline is a witch. As the saying goes, once a priest always a priest. Since leaving the church, he’d served as a rent a priest aboard a cruise ship sailing out of New Orleans. Like most of the other guests crowding the auditorium, he had a drink in hand and a smile on his face.
The Saenger Theater auditorium is large, its walls decorated to mimic an Italian villa. Priceless chandeliers hang from the ceiling. The crowd included actors, politicians, musicians, and many of the city's richest people. Human chatter didn't begin to overwhelm the background music. The acoustics were so acute you could hear every musical instrument while eavesdropping on your neighbor's conversation.
“Now this is the way to have a wake,” Rafael said.
“Wildest thing I’ve ever seen.”
“It’s the Big Easy, Cowboy, not the real world.”
His smile disappeared when I said, “Not sad like Kimmi’s wake.”
My ex-wife Kimmi had married Rafael. When she died, we’d met at her wake and had maintained a friendship ever since.
“Mind if I change the subject?” he said, sipping his whiskey. “See the attractive woman by the punch bowl?”
“Gorgeous. How do I know her?”
“Lucy Diamond. A reporter for Fox. National, not local.”
“Bet she gets lots of jokes about her name.”
“From her frown, I don’t think I’d ask,” he said. “Want to meet her?”
“You know her?”
“We met on one of my cruises, and we've kept in touch.”
Rafael waved, catching the reporter’s gaze. Smiling, she made her way through the noisy throng.
“Rafael,” she said, on her tiptoes to plant a sensuous kiss on his lips.
“Lucy, this is my friend Wyatt Thomas.”
She nodded, acknowledging my presence with only a frown.
“Got to rush, Rafe. Can we do lunch while I’m in town?”
“Love it, beautiful lady,” he said.
“I’ll call you,” she said, kissing him before disappearing back into the crowd.
“Rafe?” I said.
Rafael grinned. “What can I say? She has a thing for tall, dark, and mysterious men.”
“I’m jealous. What’s she doing in New Orleans?”
“Working on a sensational story; something to do with Jeribeth and Dr. Mary Taggert.”
“Oh?”
“The old lady had a few skeletons in her closet. She was best friends with Dr. Taggert.”
“How do I know that name?”
“A prominent surgeon murdered fifty years ago. The case was never solved.”
“I wasn’t alive, but remember hearing about it. Doing cancer research, wasn’t she?”
“Along with Dr. Louis Hollingsworth, the founder of the Hollingsworth Clinic. Someone wrote a book saying the C.I.A. had a hand in the murder,” he said.
“What interest did they have in her?”
“Not sure, my friend. Something to do with the Kennedy assassination.”
I must have rolled my eyes because Raphael held up a palm, smiled and shook his head.
“It's hard to separate fact from fiction because there are so many conspiracy theories floating around out there,” I said.
“Don’t know about that. What I do know is Madeline used to hold séances at our house when I was young. Jeribeth and Doctor Mary often attended.”
“What’s your mother told you about it?”
“Madeline never discusses her clients, even with me. If you want to know something about Dr. Mary, Lucy is the person to ask.”
As with Rafael, the Catholic Church had also expelled Madeline. Her heresy was being a witch. She has a shop in the Quarter called Madeline’s Magic Potions. By all accounts, she is a witch. When Rafael grabbed another drink from a passing waiter, I glanced at the punchbowl.
“I’ll keep that in mind. Has Ms. Diamond told you anything?” I asked.
“Not much, even though we had drinks last night at the Carousel Bar.”
“Sweet.”
“I wish. Lucy’s there every night, usually drinking alone.”
“Not even with her crew?”
“Hardly. They’re staying at the Sheraton.”
“Because?”
“Lucy’s a bitch!”
“I see,” I said.
“Razor tongued, and she uses her words like blunt instruments. Her producers have an impossible task enticing celebs and politicians. She has rough edges, but her viewers love it when she unloads on her guests.”
“So she’s . . .”
“Bitch personified,” he said, finishing my question.
Jazz music had grown louder. I glanced at the punchbowl again, realizing I was the only one without a drink.
“Excuse me a moment?” I said. “I need to visit the punchbowl.”
“I’ll be here when you return.”
“I think you’re right about having no consoling to do.”
He nodded, hoisting his whiskey glass in a salute. “I ain’t complaining, boss.”
The crowd had grown. As I inched toward the punch bowl, a young woman in front of me caught a heel and almost fell. When I grabbed her shoulders, she nodded before moving away into the throng.
From the spread on the table, some lucky caterer had earned a fat payday for this gig. They weren’t the only ones. Local florists had also made out like bandits. I noticed as I sidestepped a potted peace lily.
Smelling the gumbo, I remembered I hadn’t eaten since breakfast. Piles of shrimp and crawfish rested on sheets of yesterday’s Picayune. In deference to my white jacket, I decided to pass on the food.
No one had touched the grape punch. Likely because it wasn’t yet spiked with alcohol. Since I have a low tolerance for anything alcoholic, I took a sip first to make sure. When I turned, I bumped the person standing behind me. Grape punch splattered the woman’s silk blouse, the growing stain spreading across her chest like a bloody wound. It was the Fox reporter Lucy Diamond.
“You idiot!” she said.
“I’m so sorry.”
“Back off, you moron. Do you have any idea how much this blouse cost me?”
“Is there anything I can do?” I said as she pushed away through the crowd.
“Yeah, drop dead!” she said, showing me her middle finger.
People were staring at me as if I were a serial killer. I slunk away in shame to a corner of the amphitheater vacant of guests. When I backed against a potted tree, someone tapped my shoulder.
“Don’t turn around,” a man’s voice said. “I told you to come alone.”
“I did. I bumped into a friend.”
“Nothing we can do about it now.”
“You’re the person that asked me to meet them here?”
“Yes,” he said. “I got a job for you.”
“What exactly are you hiring me to do?”
“You’ve heard of Mary Taggert?” When I nodded, he said, “My mother. Everybody in New Orleans knows someone murdered her. I want you to find the killer, and then make sure everyone in town knows his name.”
“The case is fifty years old. It’s not just cold; it’s frozen solid.”
He placed an envelope in my hand. “You’re my last hope. There’s information in the envelope and a large retainer. Can I trust you?”
“Yes.”
“Hope so. Not much I can do about it now.”
The man turned me until I faced the potted palms, my mind blocking sounds of the noisy wake.
“At least tell me something to get me started,” I said.
“Check the envelope and you’ll know everything I know. Now, give me five minutes before turning around.”
“Wait . . .”
“Don’t turn. Trust me; it’s for your own good.”
I wheeled around the moment I heard his feet begin to shuffle. He was too busy elbowing his way through the crowd to notice. I followed the balding little man in white socks and an old checkered sports coat. It was dark outside as he hurried through the doorway. He broke into a run when he reached the sidewalk. It didn't take me long to realize why.
A black sedan waited on the street outside the Saenger. It pulled away from the curb when he exited the front doors. Seeing the vehicle, he dodged traffic and sprinted across Canal Street. The sedan did a sliding u-turn, barely avoiding a streetcar returning from the cemeteries. When it screeched to a halt two Hispanic looking men exited, chasing my client up the sidewalk.
Both men wore black sports coats and khaki pants. One of them tackled my new customer, sending him sliding across the concrete. The second pursuer tapped the back of his neck with a club. I raced across the street, dodging traffic as they dragged him into the awaiting car.
“Hey, stop right there!” I yelled as they shoved him into the backseat.
One of the men had a pistol, people on the sidewalk ducking as he pulled the trigger. Two muffled pops were the only thing I heard, and it was the last thing I remembered for a while.

Chapter 2

I awoke in a strange bed, two people dressed in medical scrubs staring down at me. If that wasn’t enough to send my alarms blaring, a mule inside my head was trying to kick its way out. It was then I noticed the numbness in my left arm. The IV hanging above me was dripping fluid into my veins.
“How you doing?” the young man asked.
“Where am I?”
“Hospital. Gunshot wound to your left shoulder. Luckily, the bullet didn’t strike bone. How’s your head?”
“About to explode.”
“You banged it on the sidewalk when you fell. Mild concussion. You’ll feel better in a few days. I’ll be back to check on you tomorrow.”
Though the doctor’s blond hair was thin, he didn't look old enough to shave. He had yet to smile. The nurse watched, flashing a silver-toothed grin as he disappeared into the darkened hallway.
“I’m Claytee,” she said. “He’s such a baby. It makes me feel like spanking him sometimes.” When I glanced at the bandage on my shoulder, she said, “Don’t worry. It’s the Big Easy, and you’re not his first gunshot victim. You making it okay, hon?”
I massaged my temple with my free hand. “I can’t feel my arm and there’s an angry mule inside my head.”
She grinned, her silver tooth catching the dim light cast by the medical instruments. “Time for a dose of cloud nine. You’ll feel better in a minute.”
“How long have I been here?”
“Don’t matter none. You alive, nothing broken or missing. Lots of my patients can’t say that.”
After injecting me, she turned off the lights and left me alone in the hospital room.
The only words I’d understood were “gunshot victim.”
I needed to use the facilities and wheeled the IV cart with me. Before the bathroom door shut, a ruckus in the hall disturbed me. The commotion continued as I exited the bathroom. Cracking the door, I peeked down the darkened hallway.
Something I’d heard piqued my curiosity. Familiar voices resonated down the hall. The same two men who were responsible for the bullet hole in my shoulder. They were asking the night nurse directions to my room. Shutting the door, I hurried to the bed.
I plumped pillows under the covers to resemble a sleeping man. The needle didn’t even hurt when I jerked it out of my arm, sticking it into the mattress. My clothes were hanging in a bathroom recess. Scooping them up, I rushed into the hallway, and then to a tiny break area across from my room.
The smell of burned coffee hit me as I hid in the supply closet. Men entered my room, two muffled pops shaking my already fragile consciousness. I backed against the wall behind a rubber apron, my heart racing as I held my breath.
Shuffling feet entered the break room. Someone opened the door to the supply closet, peering in. It was then the alarm on my abandoned instruments began to blare. The door shut as night nurses and emergency doctors descended on my room. I pulled on my clothes, glanced down the empty hallway and hurried to the elevator.
Nurse Claytee’s cloud nine had rendered me numb. I noticed as I floated down the hall, my sense of well-being worrying me. Though feeling no pain, I realized the seriousness of two men trying to kill me. Emerging from the hospital, I almost expected to take a bullet in the back. It didn’t seem to matter.
 Outside, the sky was dark. I recognized the well-lighted area as the New Orleans hospital district. A cabbie waiting in front opened the back door when he saw me looking.
“Where to, bub?” he asked
“Bertram’s bar on Chartres,” I said, ducking as I saw the two men exit the hospital.
They didn’t see me.
The French Quarter wasn’t far. As I exited the cab, music from a brass band wafted up from the direction of Bourbon Street. It was summer in the Quarter and business slow at Bertram’s. The Cajun bartender wasn’t happy, and his dark eyes showed it. He didn’t bother removing his trapper’s hat as he mopped his brow with a red-checkered handkerchief.
During the day, large windows flooded the open room with ambient light. It leaped off polished wood floors and an ornate bar that had to be two-hundred years old. Tonight, only flashing neon reflected through the windows. Panties, bras, and other undergarments hung from the ceiling over the bar. They were a testament to the consumption of gallons of alcohol resulting in lost inhibitions. What happens in Vegas stays in Vegas, they say. Unlike Vegas, visitors celebrate what happens to them in the Big Easy.
Bertram had no permanent help, preferring to do everything himself. It didn’t seem to matter because the bar rarely closed. Sometimes, there were so many customers that beer flowed like water. I realized he must have been making a fortune. You’d never know it from looking at him. He still drove the same old truck, and he’d never spent a dime remodeling the bar.
“Tourists like it like this,” he always said.
Yes, they did and so did I.
“Where the hell you been?” he asked when I came through the door. “The N.O.P.D. was here earlier and tore up your room looking for something.”
“Did they have a search warrant?”
“Didn’t ask,” he said.
Sensing something was amiss he locked the front door and flipped his closed sign.
“You let them in my room without a search warrant?” I asked.
“Hell, Cowboy, since when does the N.O.P.D. need a search warrant?”
I didn’t bother answering his question. “What were they looking for?”
“Don’t know, but your room’s a mess. What the hell’s going on?”
“Too much to explain and not enough time. No sense in calling the police now.”
“What happened to your arm and why are you slurring your words?”
“Someone’s trying to kill me. Can you take care of my cat for a few days?”
“You ain’t told me what happened to you, yet.”
Before I could answer, someone began banging on the door. Bertram nodded for me to get out of sight. A door behind the liquor cabinet led to the suite of rooms where he lived. I called to him before I slipped through it.
“Bertram, alert Tony. Tell him I’ll meet him at Culotta’s tomorrow, about noon. Ask him to dig up anything he can on the Mary Taggert murder. And Bertram, tell him to come alone.”
He nodded as he hurried across the empty bar to check on the disturbance at the front door. Slipping into his apartment, I looked to see if it was my two new companions. It was.
A back door to Bertram’s apartment led to the tiny garage where he kept his old beater. Another door exited into an alleyway. I stepped into the darkness, disturbing a stray cat pawing through the trash. If I weren’t already paranoid, I was now. Someone was trying to kill me, and the New Orleans cops were somehow involved. I needed answers and headed to the only place I knew where I might get some.
I had no idea what time it was as I hurried to the Carousel Bar, hoping it was still open. Lucy Diamond, according to Rafael Romanov, might be there. I wanted to see her.
The rain had ended, moving east to Mississippi. Water, glistening from reflected streetlight, flooded the streets. A few late-night party people were still prowling the Quarter. I hurried past them as I entered the majestic Monteleone. I didn’t have time to admire the chandeliers, ducking into the Carousel Bar instead.
The intimate setting featured a circular bar that rotated like a circus carousel. It had a top, shaped like a crown, and decorated with carved Mardi Gras faces. A single person, the reporter Lucy Diamond, sat alone at the bar. Her eyes widened when I joined her.
“You! Are you stalking me?”
“I assure you I’m not, but I do need to talk to you.”
“You ruined my new silk blouse, you asshole.”
“We met before that. I’m Rafael Romanov’s friend. Remember?”
As she glared at me, it was my first real look at her. She was a knockout with striking green eyes and ash blond hair. Her pouty lips required no lipstick, nor did her Nordic complexion need any makeup. She sounded tipsy, and the punch stain formed a rose bloom on her silk blouse.
“Fred, would you please call security and have this man removed?”
During my drinking years, I’d spent many hours rotating at the Carousel. I didn’t recognize Fred, the bartender, but put up a hand as he reached for the phone.
“Please, wait. What I have to say to Ms. Diamond is important.”
“He’s a stalker. I’ve dealt with your kind before.”
“I’m not a stalker. Won’t you at least give me a minute to explain why I’m here?”
Lucy nodded to Fred, giving him permission to replace the phone. With arms clasped to her chest, she gave me a quick look.
“Okay, buster, this better be good.”
“Doctor Mary Taggert,” I said.
“What about her?”
“I’m a private investigator. A new client who said he was Mary Taggert’s son hired me earlier tonight.”
“Impossible. Mary Taggert had no son. She was a confirmed lesbian.”
“Sure about that?”
Lucy Diamond didn’t answer, sipping her martini instead. “Your jacket.” she finally said. “What happened to you?”
My bandage had failed, blood oozing from the bullet hole in my linen sports coat.
“My client. Someone kidnapped him in front of the Saenger. They shot me when I tried to stop them.”
“You kidding me?”
“I met him for the first time at the wake. He hired me to find his mother's murderer, and make sure everyone knew their name.”
By now, I had Lucy Diamond’s complete attention.
“What’s all this got to do with kidnapping and getting shot at?” she asked.
“He gave me a package. Told me not to turn around until he was gone. I ignored his instructions, tailing him out to Canal.”
“And?”
“Men in a black sedan were waiting outside for him. He tried to run away. They chased him down and threw him into the backseat of the car. They shot me. When I fell, I hit my head on the sidewalk, unconscious until I came to in a hospital.”
“You expect me to believe that crazy story?”
“I didn’t make up this bullet hole in my shoulder.”
“Then why aren’t you still in the hospital?”
“Because the two goons that shot me returned to finish the job. I managed to escape and came to the Carousel because Rafael told me I could find you here.”
“Why didn’t you call the police?”
“Because they’re somehow in on it. They trashed my apartment looking for something.”
“This tale is growing a little too tall,” she said, glancing at a bottle of gin on a rack above the bar.
Fred was polishing a glass as he listened to our conversation.
“Want me to make that call?” he asked.
“Wait,” I said. “I have something important to show you.”
“Like what?”
“This,” I said, dropping an object into her hand.
“A Mardi Gras doubloon?”
“1948 Krewe of Rex. a rarity, I’d guess
“Oh my!” she said. “This is so heavy it must be . . .”
“Solid gold.”
She fingered the Carnival coin, holding it up to the light for a better view.
“There’s a strange symbol on the back. What does it mean?”
“No idea,” I said. “It was the only thing my client gave me, except for twenty thousand dollars.”
“You have to be making this up,” she said. “What the hell am I supposed to make of an old Mardi Gras doubloon?”
“My client seemed to think it was all I needed to solve the case.”
“What did you say his name was?”
“He didn’t tell me.”
When I grabbed my head, the bartender reacted by handing me two aspirins and a glass of water.
“You don’t look too good,” he said. “Want me to call an ambulance?”
“A sinking spell. I’m okay now.”
“Finish your story,” Lucy said.
“That’s about it. Two goons in black sports coats are trying to kill me. I can’t go to the police, and my head’s about to split.”
“Charge my room, Fred,” Lucy said. “Buy this pest anything he wants. I’m out of here.”
“Thanks for the aspirins, Fred,” I said, following her out the door.
I caught up with her at the elevator.
“Your story reeks, but Fred seemed a little too interested. Everything I have on the Taggert murder is in my room. We can have a little privacy there. I’m too drunk to worry about whether you’re going to rape and kill me.”
Her remark made me grin. “I’ve never raped or killed anyone. My shoulder is killing me. Right now, I'd have trouble arm wrestling a bunny rabbit.”
She stopped in her tracks and stared at me.
“That’s the first thing you’ve said all night I believe.”

###



Born near Black Bayou in the little Louisiana town of Vivian, Eric Wilder grew up listening to his grandmother’s tales of politics, corruption, and ghosts that haunt the night. He now lives in Oklahoma where he continues to pen mysteries and short stories with a southern accent. He is the author of the French Quarter Mystery Series set in New Orleans and the Paranormal Cowboy Series. Please check it out on his AmazonBarnes & NobleKobo and iBook author pages. You might also like to check out his website.

Tuesday, July 03, 2018

Cities of the Dead-a New Orleans short story

INTRODUCTION

I’ve long been a fan of short stories and penned my first attempt at the genre when I was only ten. I continued writing short fiction during high school and college, though none of the stories managed to survive the years. I can’t remember when I wrote my first short story featuring French Quarter sleuth Wyatt Thomas, but it was long before the publication of Big Easy in 2006. Once I started, I found it all but impossible to stop.
~SPOILER ALERT~
When I decided to write Big Easy, my first novel-length French Quarter Mystery, I did so by combining parts of three New Orleans’ short stories: Cities of the DeadVoodoo Nights, and Pontchartrain. If you haven’t read Big Easy and are considering doing so, then you should probably start it first before reading Cities of the Dead.
If you’ve already read Big Easy, then you might get a kick out of Cities of the Dead as it’s different in many ways than the side-story in the novel.

Cities of the Dead

Darkness draped Rue St. Ann as throngs of French Quarter tourists crowded the entrance to a Creole townhouse. Heat radiating from the stoop bothered Lieutenant Tony Nicosia. He mopped his brow as he watched paramedics remove two stretchers from the premises. The old man occupying one of the stretchers didn't notice the heat.
*  *  *
It started with Buddy DeJan's wake. Buddy was nearing seventy when a heart attack claimed him in his sleep. His wife Foxy called a wake for him at their house, near the spot where the Mississippi River meets the Gulf—the literal end of the road. I attended the wake with Buddy's cousin, Bertram Picou. As lights disappeared in our rear-view mirror, sub-tropical vegetation and endless splay channels gradually replaced them. Soon, there was no sense of civilization at all as scrub oak and cypress knobs replaced jazz and musty mortar.
Distraught over his cousin's death, Bertram tippled Cuervo and sniveled all the way from the City. Having my own memories of Buddy and little patience for Bertram's stories I'd heard all before, I stared out the window, trying to block out his mindless chatter. When we reached the wake, his bottle was already empty.
Foxy and Buddy lived in a fishing camp beside a murky channel that snaked into the Gulf. Wooden stilts raised their house above a soggy yard marked by muskrat hides, catfish bones, and flat-bottomed fishing skiffs. By midnight, the occasion had turned festive, with Bertram leading the charge. A black dress swathed Foxy DeJan’s large frame. She had long since discarded her shawl of mourning. Like many of the mourners crowding the room, she clasped a half-empty glass of bourbon in her hand.
Black crepe-paper draped the front door, and clocks were stopped to coincide with the time of Buddy's passing. All mirrors faced the wall. Lying in his mahogany coffin, Buddy seemed more resplendent than in life. I slipped out of the house, seeking solitude in the darkness below. My trance shattered abruptly when someone tapped my shoulder.
“I didn't mean to startle you,” the young woman said.”
“Guess I was thinking about Buddy.”
“I see that. I'm Celeste Duples. Mr. DeJan and my Father were distant cousins.”
“Wyatt Thomas,” I said. “I didn't know Buddy had any relatives named Duples. You from around here?”
“I grew up in Philadelphia with my mother. Now I live in Starkville. Daddy sells real estate. I teach at the college there. And you?”
“I have a place in the Quarter and do odd jobs for people.”
“Such as?”
“Look up this. Research that. Most anything to earn a buck.”
I stepped into the beam of the floodlight suspended from the roof. Celeste's green eyes sparkled in the light. She was tall, fully five-eight, and had jet black hair and an olive complexion that left little doubt of her French Acadian ancestry.
“This wake seems so strange to me.”
“Ritual,” I said. “A mixture of Catholic, Protestant, and Judaism, with a smidgen of black magic from Africa and voodoo from Haiti.”
Dueling strains of mandolin and accordion, saturating the damp air with a Cajun melody and silencing the chorus of frogs, floated down the stairs. A shooting star streaked across the sky, disappearing over the horizon.
“Buddy's wake will be a party before morning.”
“I won't last that long,” Celeste said.
“I wish I could leave, but I rode down with one of Buddy's closest cousins. He won't stop grieving till he OD's on Cuervo.”
My description of Bertram's alcoholic inclinations amused Celeste. Leaning closer, she said, “We'll take you back.”
I needed very little persuasion. After paying my last respects, I joined Celeste and her father in the driveway. He had the same strange last name as his daughter, and she called him Maurice.
Celeste's maroon convertible left no chance for conversation. The breeze it produced was welcome after the smoky wake. I'd recently moved into an apartment over Bertram's bar. When Celeste and her father dropped me off, I didn't expect to see them again. I was wrong.
***
Lady, Bertram's collie licked my hand, relieving any guilt about missing Buddy's funeral. Next morning I opened the bar for him, even managing to turn a small profit. Bertram showed up at noon. Hung-over and head pounding, he went straight to his apartment in back. I kept working until five when Maurice Duples strutted through the front door.
Back-dropped by bright sunlight, he seemed different from the man whose shoulder I had pressed all the way back to the City. Although still wearing the same tweed sports coat, he had changed pants, shirt, and shoes. Now he sported combed gray hair and a fresh shave and greeted me by squeezing my hand in a vice-like grip.
“I was hoping I'd find you here,” he said.
“Bertram's under the weather. I help out when I can.”
“Celeste said you were a good man.”
Celeste's praise secretly pleased me. “You aren't here to commend me on my benevolence. What can I do for you?”
Surprised by my directness, Duples gazed around Bertram's bar. “Celeste says you know a lot about New Orleans burial rituals.”
“No more than anyone else in the City.”
“Am I correct in thinking you make a point in knowing things others don't?”
“Maybe.”
“Several people at Buddy's wake told me so. I’d like to visit a grave and thought you might be of assistance. I have no earthly idea where to find it.”
“Then you're in trouble,” I said. “The city has dozens of cemeteries.”
“Precisely why I need your help. I'll pay your fee.”
He sat on a stool and sprawled his elbows on the zinc countertop. Exhaling, he rested his head in his hands.
He smiled when I said, “You look like you could use a drink.”
Maurice Duples was tall and slender. Thirty-five or forty years older than his daughter Celeste. I guessed his age at sixty-five or seventy.
“Red wine,” he said.
When I set the glass in front of him, he seemed almost asleep, his left hand dangling off the counter. Lady's warm tongue revived him, and he patted her head before sipping his wine.
“Interesting place,” he said, noting the severed ties, bras, panties and other intimate undergarments draped from the ceiling and mirror behind the bar.
“New Orleans is an easy place to lose your inhibitions.”
Duples smiled for the first time since I'd met him. “Celeste was conceived here. During a particularly eventful Mardi Gras.”
“She said you live in Mississippi.”
“Born in New Orleans. My mother worked for a man named Duplessis. We lived with his family until she died. An aunt from Starkville took me in. I never knew my father or mother's burial place. I'm desperate to find her grave. Will you help me?”
I topped up his glass and said, “Anything else you remember about New Orleans?”
“Is that a yes?”
“Look, Mr. Duples, you don't need me. If you know your mother's name and her approximate date of death, you can go over to the Notarial Archives in the basement of the District Court and find where she's buried.”
“Tried that already. The two investigators I hired found nothing. If you can't help me, I don't know where I'll turn.”
“Why don't you tell me everything you remember and I'll do my best to help you.”
The look of desperation melted from Duples' face. When he latched on to my hand with both of his, I had the sudden sensation I was saving a drowning man.
“Thank you, Mr. Thomas, thank you.”
I poured myself a glass of lemonade from the stash under the counter and said, “Let's go to a booth and talk.”
Duples and Lady followed me to the back of Bertram's bar. Most of Bertram's regulars never appeared before nine or ten at night. The place was empty.
“Now tell me what you remember.”
“Nothing much,” he said. “I was eleven when they buried her. Guess I’ve blocked most of the details from my memory.”
“Rest your head and relax. Close your eyes and focus on the muscles in your face. Imagine you have a warm towel resting there.”
Maurice Duples followed my suggestions, soon sinking into a low-grade trance. I continued speaking in modulated tones until his breathing and heart rate reduced to barely a whisper.
“You're a child again, at your mother's funeral. Tell me what you see.”
Duples began reciting in the high-pitched voice of an eleven-year-old.
“Rows of rectangular structures topped with crosses and Greek statues. Beautiful flowers with colors and smells you can almost feel, amid wide streets separating the structures. I see an impatient horse, snorting and kicking up grass with his hoof. He's pulling a black carriage. It's almost like a city. Everyone is crying, and dressed in black.”
“Is there a special statue you see, or maybe a nearby name you can read? Anything specific you remember?”
“Yes,” Duples said. “Hundreds of x marks on one of the structures.”
Bingo. Having all I needed, I woke Duples from his trance.
“Amazing,” he said. “I feel wonderful. Better than I have in years. And I remember things now.”
“You never really forgot. You just had them blocked.”
By now, Bertram was awake and cleaning up the bar with a wet rag. A few afternoon patrons straggled in, along with a curious sightseer or two. A street band, hoping to evoke donations from the throng of tourists filing into the French Quarter, fired up a hot jazz number outside. Maurice Duples was smiling.
“I haven't visited the cemetery since Mother's funeral. Now, I remember it vividly. It was almost like a little town, with rows of houses and narrow streets.”
“That's why they're called Cities of the Dead. Since much of New Orleans is below sea level, the water table is close to the surface. Before the City set up a drainage system, the only recourse was to bury their dead in a puddle of water, or else above ground.”
“You said you knew where to find my mother's grave.”
“I know exactly where it is, in the St. Louis Cemetery # 1, over on Basin Street.”
“Pardon my skepticism, Mr. Thomas. How can you be so sure?”
“Number One is the oldest cemetery in the City. Many famous people are buried there—Etienne Bore, father of the sugar industry, and Homer Plessy, to name a couple. You may remember the pivotal cemetery scene from Easy Rider. It was filmed in the St. Louis # 1.”
Duples didn't seem to know about Easy Rider or the two names I'd mentioned.
Homer Plessy?”
“Plessy v. Ferguson. An 1892 Supreme Court decision establishing separate-but-equal Jim Crow laws for blacks and whites in the South.”
“Sorry,” Duples said. “I'm in real estate, not a first-year law student.”
Biting my tongue, I refrained from asking if he could read. Instead, I continued my explanation.
“Many of the rich and notables had expensive and ornate tombs built for their families. It's not uncommon to see forty-foot tall Greek statuary or tons of carved and polished stone. I was hoping you would remember a landmark tomb.”
“But I didn't.”
“Yes, you did. You remembered seeing the most famous tomb in New Orleans—the crypt of Marie Laveau, queen of voodoo.”
Light from the jukebox reflected off Duples’ deep green eyes.
“Take me there.”
“We'll go tomorrow.”
Duples folded his arms and shook his head. “I won't wait another day. Let’s go now.”
“Impossible. It's near the Iberville Project and crime is rampant there. Even tomorrow we'll need to go with a group.”
“Not on your life, Mr. Thomas. I have a thousand dollars. It's yours if you take me now. If you don't, I'll find someone else who will.”
Before I could answer, the educated voice of Celeste sounded from behind us.
“Such wild expressions on your faces, you both look ready to fight.”
***
After leaving Duples' irresistible money with Bertram for safe-keeping, I accompanied Maurice and Celeste up Basin Street, past the Project to the St. Louis Cemetery # 1. Although closed to the public for the night, I knew the location of the caretaker's entrance. Duples had armed me with two vital bits of information: the probable location of his mother's grave and the name of a shadowy figure from his past. Arthur Duplessis was still alive, living on St. Ann's. Duples could look him up after we visited the grave.
Last glimmers of the sun had disappeared over the trees as we opened a wrought-iron gate and entered the City of the Dead. Dormant pigeons roosting in eaves around the tombs barely budged as we passed. Bats strafed our heads with wildly beating wings. Up the street, a tomcat's screech momentarily silenced the cooing of pigeons.
Apparently unaware of our possible danger, Celeste sported a blissful smile on her pretty face. “If Marie Laveau's grave is unmarked, then how did you know Daddy saw it?”
“Because it's covered with freshly-chalked x’s. The superstitious believe if you make a wish, along with marking an x on the grave, your wish will come true.”
Celeste squeezed my hand. “What do you believe?”
“That we should find your grandmother's grave and get the hell out of here.”
“Is it that dangerous?”
Her question went unanswered. By now it was dark, with only dim fluorescent street light and the powerful beam from my flashlight illuminating our path. We barely noticed two men as they appeared from the shadows in front of us.
“Well, what do we have here? Grave robbers or midnight mourners?” one of the men asked.
 Several missing teeth made his accent even more incomprehensible. It didn't stop his companion from laughing at the joke. His laughter died away when we tried to walk around them. They were big, mean and ugly. Even worse, both men had switchblades.
“Where you think you're going?” the leader said, digging his knuckle into my breastbone.
To my surprise, Celeste knocked the man's hand away with the palm of her hand.
“Leave us alone. This is a public place.”
Celeste's anger brought an even greater outburst of laughter from the two men.
“Looky here Biggs. We got ourselves a sassy one.”
“Jackson, we surely do.”
“You heard the lady,” I said. “I'm an off-duty cop. Make trouble with us at your own risk.”
I forced as much authority into my voice as I could and it had some effect. Biggs and Jackson both took half-steps backward. The NOPD is notorious. That's spelled b–a–d, with a capital B. The force had even turned back a group of Hell's Angels at the City limits, preventing them from attending and disrupting Mardi Gras. I was counting on my bluff to get us safely out of the cemetery. Something else saved us instead.
Two pistol shots fired directly behind my head almost caused me to lose my lemonade. Diving for the turf, I wrestled Celeste down with me.
“Run or I'll blow your heads off, you lice-infested ghouls.”
 It was Maurice Duples, screaming like a banshee and firing an old German Luger into the air. Biggs and Jackson didn't wait around. They took Celeste's smile with them and she trembled as I helped her up. Sirens wailed in the distance. They weren't coming our way.
“Are they gone?” she asked.
“Yes. Now let's get out of here.”
“Not until I see my mother's grave.”
Celeste and I stared at her father's eyes, now wildly green amid dim light from the street.
Celeste continued to shake. When I put my arm around her, my own racing heart did little to abate her chill.
“This is frightening your daughter. I'll bring you back tomorrow. And what are you doing with that gun?”
“It saved our lives. Go on, if you're so frightened. And take Celeste with you. I'll find the grave by myself.”
When I nudged Celeste toward the street, she shook her head. “We can't leave him here by himself.”
“He has the gun,” I reminded her.
Celeste ignored my comment.
Maurice Duples struck out alone, trudging blindly along the path lined with broken shells. Celeste and I followed after him. We weren't far from Marie Laveau's grave when Duple's demented yell pealed through the cemetery.
“Here it is!”
We found him squatting by a large tomb bedecked with faded marble, and statues of Greek gods. Celeste knelt beside him, her hands on his shoulders.
“What is it, Daddy?”
“The name,” he said. “It's not our name. Someone removed my mother's remains from her grave. Why would anyone do that to her?”
Duples was possibly correct. During the plague years of the 1800s, with cemetery space at a premium, residents often sold or bartered tomb rights to the more prosperous. This practice continued until recent times, bones being moved hither and yon, often to who-knows-where. Strangely, the names of Arthur and Megan Duplessis were engraved in stone on the tomb, their deaths as yet unrecorded. The couple Maurice and his mother had lived with had apparently taken her grave.
Probably a mistake,” I said. “We'll check the Notarial Archives tomorrow.”
After helping Maurice and Celeste to their feet, I pointed the flashlight back from where we had come. It reflected off of Marie Laveau's grave. Celeste stopped beside it. Maurice and I watched as she took a fragment of chalk from the sidewalk, closed her eyes and made a large x on the side of the tomb.
***
I tossed and turned after finally making it to bed, somehow sensing the night had yet to end. It hadn't. At midnight I received a frantic call from Celeste.
“Daddy's gone crazy. He went storming out of here with his pistol to find Arthur Duplessis.”
“Meet me at the corner of Bourbon and St. Ann,” I said, pulling on my pants. “Just down the street from your hotel. I'll be there in ten minutes.”
We found the door to the Duplessis townhouse on St. Ann open and entered without knocking. Duples stood braced against the wall, pointing his pistol at an old man in a rattan wheelchair. A ratty Afghan draped the man's legs and he showed no fear. His face was contorted in a crooked grin every bit as deranged as Duples'.
Duples waved his gun at us in a menacing fashion. Remembering the incident at the cemetery, I pinned Celeste against the wall with the back of my arm. Duplessis spoke, returning Maurice's attention to the center of the room.
“You wanna kill me? Go ahead. I'm ninety next month,” he said, giving his useless legs a hard slap with the flat of his hand. “I already done more living than any three men.”
“I'll kill you, all right, but not before you tell me why you moved my mother's remains.”
 “You crazy? Who are you, anyway?”
 “Maurice Duples. My mother's name was Emeline, but you already know that.”
Arthur Duplessis's rheumy old eyes glimmered with sudden recognition in the light of the suppressed overhead bulb.
“You about a dumb one, you. You mama was a whore over in Storyville until they bulldozed the place to the ground.”
“You're a liar.”
“Don't call your own father a liar.”
Duples opened his mouth. Nothing came out. Outside the door, a horse-drawn carriage clomped by on the street. It was followed by a dog howling over near the Iberville Project.
“Don't look so surprised,” Duplessis said. “You think your name was Duples all these years? What kind of dumb name is that? You mama was my whore and you're my bastard boy.”
Duplessis howled with laughter and it drew into a hacking cough. When the coughing abated, he started to speak but never got the words out. A terrific blast rocked the room, knocking the old man out of his wheelchair and blowing him against the wall.
Celeste and I turned to Maurice Duples but he looked every bit as stunned as we were. Both barrels of a twelve-gauge shotgun had blasted Duplessis. A gray-haired old woman, dressed in tattered silk, stood tall and without emotion. She was still clutching the smoking gun.
“He's the bastard, not you. I should have killed him twenty years ago. He kept your mama and others like her. He never gave a whit for my feelings or theirs.”
Megan Duplessis let the shotgun slide to the floor and crossed the room to where stunned Maurice stood, still braced against the wall. When she touched his cheek, he dropped the pistol to the floor.
“I want you to know, your mama's still in that tomb. The old man just had her bones pushed to the back of the vault. I raised you as my son until the old man sent you away to Mississippi.”
She went to her fallen husband, kneeling and giving his lifeless cheek a final kiss before clutching her heart, gasping once and sinking to the floor beside him.
***
Lieutenant Tony Nicosia gave me a go-to-hell look when he and the NOPD finally arrived. Between stilted explanations, deftly omitting why we were there in the first place, I spirited Maurice Duples' pistol off the floor and into my jacket. Arthur and Megan ranked high in the City's elite. Because of this, the police would conveniently overlook the fact that the old man had died from a shotgun blast. His death, subsequently resulting in Megan's untimely heart attack, would go down as accidental.
Other than some puritanical need to punish Maurice for his temporary insanity, I saw no reason to involve him further in his father’s death. New Orleans has few Puritans. I wasn't one of them. While escorting Maurice and his daughter to the hospital to attend Megan Duplessis, Celeste informed me the real reason I covered up for her father.
“The x I made on Marie Laveau's tomb. I wished my father would find out about his family so his bad memories would go away. And I wished for a happy ending.”
Watching Maurice hold Megan Duplessis’ hand in the back of the ambulance, I realized Celeste had gotten her wish.

####



Born near Black Bayou in the little Louisiana town of Vivian, Eric Wilder grew up listening to his grandmother’s tales of politics, corruption, and ghosts that haunt the night. He now lives in Oklahoma where he continues to pen mysteries and short stories with a southern accent. He is the author of the French Quarter Mystery Series set in New Orleans and the Paranormal Cowboy Series. Please check it out on his AmazonBarnes & NobleKobo and iBook author pages. You might also like to check out his website.